Indigenous Knowledge
Mohammad Afrough
Abstract
Ili and nomadic braids are a part of the weaving system and an outstanding example of the native arts of this layer, which is remarkable in the artistic and visual field. in the meantime, kormanji weavings in north Khorasan are a part of this system, which has visual capacity and capabilities in terms ...
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Ili and nomadic braids are a part of the weaving system and an outstanding example of the native arts of this layer, which is remarkable in the artistic and visual field. in the meantime, kormanji weavings in north Khorasan are a part of this system, which has visual capacity and capabilities in terms of aesthetics (design, pattern, and color). therefore, the process of decorating the text of the weaves is done in the light of the simple concept of weaving, mental weaving, and the result is the formation of patterns with a geometric and abstract nature. due to the type and form of the pattern, the style and format of expression of shapes and forms are created, which can be defined in two abstract and abstract styles from a visual and visual point of view. this approach can be explained for all motifs of nomadic weaves. from this point of view, the question is, what are the types of kormanj woven motifs and what are the characteristics and criteria of applying abstract styles to the said motifs and designs? the aim of this research is to identify, classify and analyze all kinds of abstract motifs in kormanj weavings. the upcoming
Mohammad Afrough
Abstract
This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types ...
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This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types of designs in qashqai architecture which is woven today with a different approach and structure from the past in the qashqai geography from Fars province to south of Isfahan (Semirom).the process of settlement of qashqai tribes leads to a change in lifestyle and fundamental changes in quantitative and qualitative production, application and structure of qashqai woven, in particular the carpet of the nazem design in the technological dimension and aesthetic dimension.these dimensions will be investigated and analyzed in this study. the type of research is fundamental and research method is descriptive-analytical.the way information is gathered is predominantly fieldwork. findings of the research indicate is that lifestyle changes from nomad to settlement have a great influence on the production of nomadic wool and especially the carpets of the nazim design. so that the weaving the mental process have given Place herself to weave by pattern and raster map. the size of the carpet of nazem design is smaller than the past and elements of the original structure of the design (altar like space, half cedars,tree of thousand flowers- central of flower pot and flowers and leaves spread and saucer shape) has undergone fundamental changes.
Mohammad Afrough; Fathali ghashghaeifr
Abstract
Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave ...
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Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave techniques. qashqai weaves has a wide variety of techniques that a large part of them, has lost its application or dimmed. this article is a thorough field study and in relation to the description, analysis, classification and introduction of various techniques weave it is among qashqai tribes. weave techniques is the most important element in the woven system which is the main factor in weaving a work and creation design and motifs.because without the technique, there is no handwoven. research results it's like this : the qashqai woven fabrics are divided into five layers of poudnema, taarnema, souzani, and combined, according to the technique and texture structure.the usual technique used in qashqai knitting system is includes loulbaft(half and full loul), smooth weave(smooth poudshol and smooth poudseft), twist and combined. from porzdar woven can be attentioned to carpet and gabbeh and podnema(smooth poudshol) to gelim and charkh and tanemaha(smooth poudseft) to jajim, palas, oyee, sheshe derme, jajim morakab nafi, and souzanies to davrechin(varounechinbafi), and rend(jajimgol va sibama), and combined(porzdar, smooth baft, twist baft to torkaman naaghsh(ghalibori) and ghachmeh.
