Mohammad Afrough
Abstract
This article is the result of a field work written in connection with the documentation and introduction of the technical and aesthetic dimensions of the carpet of the village of Jiria as the most active area of weaving with about 500 active the loom framework in the central province. the texture quality ...
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This article is the result of a field work written in connection with the documentation and introduction of the technical and aesthetic dimensions of the carpet of the village of Jiria as the most active area of weaving with about 500 active the loom framework in the central province. the texture quality is the most important feature of the Jiriya carpet, which is one of the most important brands of Iranian carpets that unfortunately has not been recognized and introduced.in Jiriya, various designs are woven into three categories. A: Indigenous designs include larch and bergamot (do hashiye, lachak va toranj khorshidi, daayereii, afshan, beyzi va lozi), dastgahi(goldaste), broken mostofi and tabrizi. B. Non-native designs includes kheshti, ravari, zirkhaki, zellol Sultan and haft dervishes. C: Designs that are designed by contemporary designers and includes atlasi, mostofi monhani, farhang, oghabi, koumeei,morghe mahikhar ,takboteh and hajkhanoumi. this research is of fundamental type and research method is descriptive-analytic. The method of data collection is fieldwork.
Indigenous Knowledge
Morteza Salemi Ghamsari
Abstract
Abstract
Based on the evidences and documents left from ancient Iran, the art of dyeing and carpet weaving has been common in Iran since the past, and in the contemporary period, one of the most important centers of carpet weaving and dyeing in Iran is Isfahan province and Nain city. Nain carpet ...
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Abstract
Based on the evidences and documents left from ancient Iran, the art of dyeing and carpet weaving has been common in Iran since the past, and in the contemporary period, one of the most important centers of carpet weaving and dyeing in Iran is Isfahan province and Nain city. Nain carpet is very famous, because it is one of the brightest manifestations of the use of natural and traditional colors, and it owes a large part of its fame to this quality. Dyeing in this area is done with natural and traditional colors, which is slightly different from other carpet weaving centers that have traditional dyeing, and despite some chemical dyes that are used as an auxiliary, natural color are still dominant in the area. In this article, the traditional dyeing in the historical village of Jeshvaqan, which is located 40 km from Nain, is discussed. Until about 50 years ago, this village had 12 active traditional dyeing units and the main fame of this village was due to its dyeing units, but now with the closure of some workshops, there are 6 dyeing workshops in this village that one of them is half closed. This article has been done in the field. This craft requires more attention from provincial and regional authorities.
Mohammad Afrough
Abstract
This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types ...
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This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types of designs in qashqai architecture which is woven today with a different approach and structure from the past in the qashqai geography from Fars province to south of Isfahan (Semirom).the process of settlement of qashqai tribes leads to a change in lifestyle and fundamental changes in quantitative and qualitative production, application and structure of qashqai woven, in particular the carpet of the nazem design in the technological dimension and aesthetic dimension.these dimensions will be investigated and analyzed in this study. the type of research is fundamental and research method is descriptive-analytical.the way information is gathered is predominantly fieldwork. findings of the research indicate is that lifestyle changes from nomad to settlement have a great influence on the production of nomadic wool and especially the carpets of the nazim design. so that the weaving the mental process have given Place herself to weave by pattern and raster map. the size of the carpet of nazem design is smaller than the past and elements of the original structure of the design (altar like space, half cedars,tree of thousand flowers- central of flower pot and flowers and leaves spread and saucer shape) has undergone fundamental changes.
