Mohammad Afrough
Abstract
This article is the result of a field work written in connection with the documentation and introduction of the technical and aesthetic dimensions of the carpet of the village of Jiria as the most active area of weaving with about 500 active the loom framework in the central province. the texture quality ...
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This article is the result of a field work written in connection with the documentation and introduction of the technical and aesthetic dimensions of the carpet of the village of Jiria as the most active area of weaving with about 500 active the loom framework in the central province. the texture quality is the most important feature of the Jiriya carpet, which is one of the most important brands of Iranian carpets that unfortunately has not been recognized and introduced.in Jiriya, various designs are woven into three categories. A: Indigenous designs include larch and bergamot (do hashiye, lachak va toranj khorshidi, daayereii, afshan, beyzi va lozi), dastgahi(goldaste), broken mostofi and tabrizi. B. Non-native designs includes kheshti, ravari, zirkhaki, zellol Sultan and haft dervishes. C: Designs that are designed by contemporary designers and includes atlasi, mostofi monhani, farhang, oghabi, koumeei,morghe mahikhar ,takboteh and hajkhanoumi. this research is of fundamental type and research method is descriptive-analytic. The method of data collection is fieldwork.
