Document Type : Research Paper
Author
Faculty of Cultural Materials Conservation, Tabriz Islamic Art University, Tabriz, Iran.
Abstract
One of the most distinctive types of murals is the canvas-Marouflaged murals. In the direction of managing purposeful and long-term canvas-Marouflaged murals studies, Proper protection of these Artworks. In order to properly protect these works and analyze conservation studies and future measures, it is necessary to explore the conservation approaches of these paintings in the cultural context. Therefore, in this research, we have tried to review the results of protective measures and interventions on canvas-Marouflaged murals and easel paintings; As well as reviewing conservation and restoration experiences in Iran, Introduce conservation approaches In order to be able to rely on it, the correct interventions as well as the correct analysis of the actions of previous years and periods on such works. The aim of this research, acquisition of indigenous knowledge, and protection of canvas-Marouflaged murals of the Islamic period also, the analysis of protective interventions on these works is in Iran. As a result of this research, the conservation approaches of canvas-Marouflaged murals were defined in two parts: interventional protection and preventive protection in order to get the best results from it. Considering each of the approaches, we must pay attention to the dual nature of canvas-Marouflaged murals and take the necessary measures according to the conditions of the effect.
Keywords
- Ackroyd, Paul; Keith, Larry. (2000). The restoration and reconstruction of Lorenzo Monacos Coronation of the Virgin. In Retouching and Filling: Preprints of the ABPR Conference, September 2000, pp. 14–18, Association of British Picture Restorers.
- Avrami, Erica; Mason, Randall; Torre, Marta De La. (2000). Values and Heritage Conservation. Research Report. Los Angeles, the Getty Conservation Institute.
- Boersma, Annetje and Giltaij, Jeroen. (1998). The intriguing changes through restoration of a newly discovered painting by Cornelis Cornelisz. Van Haarlem. In Looking through Paintings: The Study of Painting Techniques and Materials in Support of Art Historical Research (E.Hermens, ed.), Leids Kunsthistorisch Jaarboek 11, pp. 147–158, De Prom and Archetype Publications.
- Boon, Jaap J.; Weerd, Jaap van der; Keune, Katrien; Noble, Petria; Wadum J. (2002). Mechanical and chemical changes in Old Master paintings: dissolution, metal soap formation and remineralization processes in lead pigmented ground/intermediate paint layers of 17th century paintings. ICOM Committee for Conservation 13th Triennial Meeting, Rio de Janeiro, Preprints (R. Vontobel, ed.), pp. 401–406, James & James.
- Ciatti, Marco; Bellucci, Roberto; Fracassi, Camilla; Frosisini, Cecilia; Lalli, Carlo; Lucarelli, Linda; Sostegni, Luciano. (2011). The Paliotto by Guidoda siena from the pinacoteca Nazionale Siena. Studying old master Paintings Technology and Practice, Archetype Publication Ltd in association with the national Gallery, London. P 1-7.
- Carswell, John (1968). New Julfa The Armenian Churches and Other Buildings. Clarendon Press. Oxford.
- Dietemann, Patrick (2003). Towards more stable natural resin varnishes for paintings, D. thesis, Swiss Federal Institute of Technology, Zurich.
- Fuster Lopez, Laura; Mecklenburg, Marion F.; Castell, M.; Guerola, V. (2008). Filling materials for easel paintings: when the ground reintegration becomes a structural concern. In Preparation for Painting: The Artist’s Choice and Its Consequences (J.H. Townsend, T. Doherty, G. Heydenreich and J. Ridge, eds), pp. 180–186, Archetype Publications.
- Goltz, M. von der; Birkenbeul, Ina; Horovitz, Izabel; Blewett, Morwenna, Dolgikh, Irina. (2012). Consolidation of flaking paint and ground. Conservation of Easel Paintings, Edited by Joyce Hill Stoner and Rebecca Rushfield, Series Editor: Andrew Oddy, Routledge is an imprint of the Taylor & Francis Group, New York, pp: 369-383.
- Hackney, Stephen; Reifsnyder, Joan; Marvelde, Mireille te; Scharff, Mikkel. (2012). Lining easel paintings. Conservation of Easel Paintings, Edited by Joyce Hill Stoner and Rebecca Rushfield, Series Editor: Andrew Oddy, Routledge is an imprint of the Taylor & Francis Group, New York: 415-452.
- (1984). The Code of Ethics, Copenhagen. European Network for Conservation-Restoration Education.
- (1964). International charter for for the conservation and restoration of monument and sites. IInd International Congress of Architects and Technicians of Historic Monuments, Venice.
- Languri, G. Maria. (2004). Molecular Studies of Asphalt, Mummy and Kassel earth Pigments: their characterisation, identification and effect on the drying of traditional oil paint. University of Amsterdam, Ph.D. Dissertation.
- McKay, Marylin J. (2002). National Soul: Canadian Mural Painting 1860s- 1930s. Canada: McGill-Queen's Press – MQUP.
- Speroni, Puccio. (1990). A transportable suction table for on-the-spot conservation of large sized paintings. ICOM Committee for Conservation, 9th Triennial Meeting, Dresden, German Democratic Republic, 26–31 August 1990, Preprints(K. Grimstad, ed.), pp. 145–7, ICOM Committee for Conservation.
- Stoner, Joyce Hill; Rushfield, Rebecca. (2012). Conservation of Easel Paintings. Series Editor: Andrew Oddy, Routledge, New York.
- Tomkiewicz, Carolyn; Scharff, Mikkel; Levenson, Rustin. (2012). Tear mending and other structural treatment of canvas paintings befor or instead of lining. Conservation of Easel Paintings, Edited by Joyce Hill Stoner and Rebecca Rushfield, Series Editor: Andrew Oddy, Routledge is an imprint of the Taylor & Francis Group, New York, pp: 384-414.
- Wadum, Lorgen; Streeton, Noelle. (2012). History and use of panels or other rigid supports for easel paintings. Conservation of Easel Paintings, Edited by Joyce Hill Stoner and Rebecca Rushfield, Series Editor: Andrew Oddy, Routledge is an imprint of the Taylor & Francis Group, New York, pp: 50-115.
- Wolbers, Richard C. (2000). Cleaning Painted Surfaces: Aqueous Methods. Archetype Publications.
- Woodcock, Sally A. (2005). Big Pictures: Problems and Solutions for Treating Outsize Paintings. Archetype Publications.
- Young, Christian; Katlan, Alexander. (2012). History of fabric supports. Conservation of Easel Paintings, Edited by Joyce Hill Stoner and Rebecca Rushfield, Series Editor: Andrew Oddy, Routledge is an imprint of the Taylor & Francis Group, New York, pp: 116-147.
)