Mohammad Afrough
Abstract
In the nomadic weaves, although the functional aspect was intended, its aesthetic aspect with a variety of native motifs, resulting from the birth of personal and collective beliefs, it is more prominent and as if the woven were a space for arousal, representation of imagination and emotion. the horse's ...
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In the nomadic weaves, although the functional aspect was intended, its aesthetic aspect with a variety of native motifs, resulting from the birth of personal and collective beliefs, it is more prominent and as if the woven were a space for arousal, representation of imagination and emotion. the horse's face is a representation of the nomadic weaving, and in particular the Qashqai, which provides a space for design and motif creation and companion native and natural colors are provided by the weaver. in this article, while briefly describing and introducing Qashqai woven fabrics, various types of horse coverings and ornaments, nomadic gullies, and in particular gashqai gullies in terms of weaving technique, structure and aesthetic dimensions, introducing, describing, and analyzing, 24 cover of horse were selected as the sample for this process. the results of the present study indicate that the cover of horse structure of all regions of Iran, regardless of some exceptions, follows a general form. while most of them are related to carpet weaving techniques woven has been with the carpet weaving technique ghalibori (Turkmennaghsh) or Gol Barjaste this
Mohammad Afrough
Abstract
This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types ...
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This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types of designs in qashqai architecture which is woven today with a different approach and structure from the past in the qashqai geography from Fars province to south of Isfahan (Semirom).the process of settlement of qashqai tribes leads to a change in lifestyle and fundamental changes in quantitative and qualitative production, application and structure of qashqai woven, in particular the carpet of the nazem design in the technological dimension and aesthetic dimension.these dimensions will be investigated and analyzed in this study. the type of research is fundamental and research method is descriptive-analytical.the way information is gathered is predominantly fieldwork. findings of the research indicate is that lifestyle changes from nomad to settlement have a great influence on the production of nomadic wool and especially the carpets of the nazim design. so that the weaving the mental process have given Place herself to weave by pattern and raster map. the size of the carpet of nazem design is smaller than the past and elements of the original structure of the design (altar like space, half cedars,tree of thousand flowers- central of flower pot and flowers and leaves spread and saucer shape) has undergone fundamental changes.
Mohammad Afrough; Fathali ghashghaeifr
Abstract
Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave ...
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Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave techniques. qashqai weaves has a wide variety of techniques that a large part of them, has lost its application or dimmed. this article is a thorough field study and in relation to the description, analysis, classification and introduction of various techniques weave it is among qashqai tribes. weave techniques is the most important element in the woven system which is the main factor in weaving a work and creation design and motifs.because without the technique, there is no handwoven. research results it's like this : the qashqai woven fabrics are divided into five layers of poudnema, taarnema, souzani, and combined, according to the technique and texture structure.the usual technique used in qashqai knitting system is includes loulbaft(half and full loul), smooth weave(smooth poudshol and smooth poudseft), twist and combined. from porzdar woven can be attentioned to carpet and gabbeh and podnema(smooth poudshol) to gelim and charkh and tanemaha(smooth poudseft) to jajim, palas, oyee, sheshe derme, jajim morakab nafi, and souzanies to davrechin(varounechinbafi), and rend(jajimgol va sibama), and combined(porzdar, smooth baft, twist baft to torkaman naaghsh(ghalibori) and ghachmeh.
