Reza Sehhat Manesh; Zahta Esfandiyari
Abstract
Chlorite Vessels and their motifs are the most important non-writing element of the civilization of Halilrood cultural area. Most of the researches in the field of Vessels and motifs of Jiroft civilization are in the field of animal motifs and among these other motifs have not aroused much attention ...
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Chlorite Vessels and their motifs are the most important non-writing element of the civilization of Halilrood cultural area. Most of the researches in the field of Vessels and motifs of Jiroft civilization are in the field of animal motifs and among these other motifs have not aroused much attention of the scientific community. Therefore, the main issue is reading and studying the plant motifs of the civilization of Halilrood basin in the third millennium BC. The present research in the framework of the holy and unholy theory has dealt with the plant motifs of the civilization of Halilrood basin and the main question of the research is: What were the plant carvings and meanings of the Halilrood basin of Jiroft? The present study has been prepared using library and field data and has studied the plant motifs of Halilrood basin as an important factor in restoring the ancient culture and rituals of Iran by descriptive-analytical method. By studying 170 chlorinated Vessels, it was found that 20.58% of the Vessels have plant motifs and from this perspective, they are in the second place after animal motifs.
massoumeh barsam; yosof faryabi
Abstract
Votive rugs are in fact a kind of small pictorial rugs with an approximate size of 25 x 20 cm that are placed in various designs and colors in the middle of the platform or sometimes hung on the wall of Ghadamgah (Foothold of saints and holy people in past). These rugs are as a decorative and religious ...
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Votive rugs are in fact a kind of small pictorial rugs with an approximate size of 25 x 20 cm that are placed in various designs and colors in the middle of the platform or sometimes hung on the wall of Ghadamgah (Foothold of saints and holy people in past). These rugs are as a decorative and religious element in most of the south Qadamgah of Kerman, especially in Jiroft that share similarities from the point of view of the texture, pattern, and symbolic signs.s, and geometric symbols in the visual structure of the Votive rugs, and main question in this research is, how is the visual structure and composition of the painting of the Votive rugs and what is symbolic meanings based on popular culture? The visual structure and composition of the rug consists of two parts, the margin and the text. The textures of the rugs are wiew in structure, form, image, text or composition. The method of collecting information in this field research is using archaeological resources, historical documents, collecting visual samples and oral interviews with villagers and tribesmen in Jiroft region and the analytical comparative research method is a semantic approach. Since the issue of Votive is a personal and spiritual matter,. the goals of the weavers identified, but based on the images and the name of the prophets, it seems to be requests for prayer and happiness on the text of the weaving rugs that these works have a certain religious and ceremonial function,
